When terrorists hijacked planes and crashed them into the World Trade Center, the Pentagon and a Pennsylvania field, the frame of reference the nation turned to in the surreal aftermath was just about universal. It tries to make the player uncomfortable by lingering on the immorality of the first-person shooter. Spec Ops: The Line, a new game for PC, PlayStation and Xbox, takes the opposite approach. At the same time, far-fetched plotlines reassure us that this is all just a game have fun and don’t think too much about what you’re doing. Players are clearly supposed to find the combat, and the real-world settings, a viscerally exciting way to connect to current events. Most military shooters - a subgenre of video games with conventions so rigid as to seem ritualistic - try to have it both ways when it comes to their relationship with actual warfare.
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